#C41 FILM HOW TO#
#C41 FILM SKIN#
#C41 FILM SOFTWARE#

I also recommend shooting a Macbeth chart on your roll so that you can do more fine tuning with color calibration after you have converted the image to a positive after using the ColorPerfect plugin. This is my preferred method if I don’t use my dedicated lab film scanner. Do you have access to Photoshop? If so, do some research with using the ColorPerfect plugin. Is your scanner calibrated with an IT8 target? Useful if you plan on having the scanner output a positive image instead of a negative RAW scan.ģ.

#C41 FILM SOFTWARE#

Are you using the Epson software? Recommended software is either Vuescan or Silverfast. There are a few folks there that can be helpful.ġ. If you aren’t already a member, join the I SHOOT FILM SCANNER GROUP.

Hopefully, I am not already giving you information you already know, but here are my thoughts. It’ll be well worth your while, I guarantee.Įm asked me to drop by to see if I can help. Just shoot a roll and figure it out later. Unfortunately, that kind of talk raises eyebrows, so I’ll say this: put aside your worries about the Remjet, or finding a lab near you that will develop it. If I had it my way and I was some kind of worldwide dictator-in-chief, every man, woman and child would be required to shoot a single roll of this film at least once in their life. It’s taken me almost as long to write this short conclusion as it did the entire review. It’s rather simple and needn’t put you off from trying this wonderful film. Just be careful not to scratch the (admittedly hardy) film. When the film has been stopped and fixed, you can use running water to wipe any remaining remjet off. Once you’ve finished your pre-bath, rinse as normal and then process the film as you would. You won’t need to totally remove the Remjet, just soften it up a little. Repeat this three or four times before discarding the solution. Set the tank down, wait another minute or so and then repeat. Soak your film for a few minutes, then give your tank a vigorous shake. Simply dissolve about 15 grams of store-bought bicarbonate of soda per 1 litre of water at about 30C / 86F. UNTITLED BW – Kodak VISION3 250D 35mm motion picture film shot at ISO250Īside from adding in a remjet filtration step (as needed), you will also need to add in an extra pre-bath step to your process. If you buy in bulk and roll your own, a single 36 exposure roll works out to about two dollars per roll – cheaper if you bulk load from larger 400 or 1000ft reels. My personal preference is to overexpose by half a stop and process normally or push two stops to ISO1000 for some lovely results.įinally, it’s also cheap, really cheap. Speaking of which, if you feel the need to push this film, it’ll comfortably go three stops to ISO2000 but starts struggling at ISO4000. In fact, if I know I’ll be wandering around after dark, I’ll go ahead and rate this film at ISO400 to get the extra stop of speed in-camera but process it normally – no push. Shoot at night and you’ll retain rich colours and deep blacks.

#C41 FILM SKIN#

All manner of skin tones are handled with ease and you’ll also be obsessing over shadow detail for months. In high contrast situations, you’ll be glad for the (approximately) five stops of latitude. Greens, reds, yellows and blues are all vividly represented and as I mentioned above, it’s a daylight balanced film but will also handle the indoors rather well.

#C41 FILM HOW TO#

You can even cool it down if you know how to treat it right. It’ll go from bright, vivid, sharp and contrasty to soft and pastel-like in a flash. UNTITLED – Shot on Kodak Vision 3 250D (5207) at ISO250. In fact, if you have access to a darkroom, you can wash this film using a C41 kit, or black and white chemistry and take care of the Remjet yourself (Remjet? More on that a little later). There’s no need to use specialist chemicals in order to develop this film. What’s more, that the results are something a step above “ordinary” colour negative film stocks. You might also be familiar with the absolutely insane latitude this film stock provides (+/- 5 stops) but what you probably won’t know is that you can shoot it in any camera, or film back that will let you load 35mm film. If you’ve seen the movies mentioned up top, you’ll be familiar with their look. Why try to emulate film when you can have the real thing? Film. Combine all that with film’s amazing resolution and proven, long-term archival capabilities and you’ve got a state-of-the-art image capture medium that others can only aspire to. What’s more, VISION3 250D Film works seamlessly in digital post, so you can employ a workflow that combines the best of both worlds for exceptional efficiency and image quality. Film stock review: Kodak VISION3 250D (5207) motion picture film - EMULSIVE Close Search for:

C41 film